You can also capture still images during movie capture at either 4.2, 7.5 or 17-megapixel resolution, or have the RX10 IV capture some stills automatically as it detects attractive compositions. (Not already read that first test? So how does the Sony RX10 IV's image quality hold up once the sun slips down beneath the horizon? But at the highest rates and in shoot time priority mode, the actual capture resolution can be as low as 912 x 308 pixels.). Our Verdict. Speaking of batteries, CIPA battery life is down just slightly with the new LCD to 400 shots versus 420 for the predecessor. These 315 PDAF points are broadly distributed across 65% of the image frame, ensuring that your subject should be adequately covered no matter where you want to place it, or to track it around the frame. Shares. This is one spectacularly swift camera, and its autofocus is hands-down the most impressive I've seen yet in a fixed-lens camera. Right from its very beginning, I've been a big fan of Sony's RX10 camera family. None of this can be directly compared with our in-house testing figures, as these use an intentionally hard-to-compress test subject for a real-world, worst case scenario, but they certainly body well for the Sony RX10 IV's real-world performance. Although the image processor at the heart of the Sony RX10 IV still carries Sony's Bionz X branding, just as in the earlier RX10 II and III, there's clearly a whole different level of power on tap here. You can adjust the aperture ring to be de-clicked as well, which is perfect for making quiet aperture adjustments, which could prove useful to videographers. (Mea culpa, and sorry to all who've been waiting!) The subject detection algorithms too often jump onto another object and start tracking that instead. Although the hardware of the Sony RX10 IV's electronic viewfinder, which Jeremy mentioned earlier, looks to be much the same as in the previous RX10 III, we understand that it now has lower lag than in the previous-generation camera. It maintains its general DSLR-substitute body style, meaning that there are numerous controls on the camera body itself and it is well served as a complement to an A7-series or A9 camera or as a person's sole camera. A large "1.0-type" 20.2 megapixel CMOS sensor, 3.6x 28-100mm lens with a fast maximum aperture of F1.8, full 1080p high-definition video with stereo sound, high-resolution 3-inch screen, manual shooting modes, 10fps continuous shooting, ISO range of 100-12800, Raw support and fast auto-focusing are all … You can also enable or disable image stabilization (including active and intelligent active SteadyShot modes for Full HD footage, but not for 4K), or adjust the autofocus drive speed and tracking sensitivity. You likely won't cover the same focal length range with a DSLR or mirrorless camera as you would the RX10 IV's built-in zoom, but you'll also likely find that, courtesy of an even-larger sensor, the interchangeable-lens camera will deliver a noticeably higher level of low-light image quality. For example, if you're upgrading from an earlier RX10-series model, you'll be able to use the same NP-FW50 lithium-ion rechargeable battery packs that you already have on hand. But now, it offers in-camera proxy recording capability, shooting both a UHD 4K clip and a simultaneous HD (720p) clip which can be used in its place for faster editing in your non-linear editor of choice, before substituting in the much higher-res 4K footage for a better-quality result at render time. The Sony Cyber-shot DSC-RX100 VII is the most capable pocket camera currently on the market thanks to a combo of good image quality, smooth stabilized 4K and an industry-leading autofocus implementation. So bearing that in mind, what did I think of the Sony RX10 IV's image quality in low-light conditions? Of course, that's to be expected, as the RX10 IV will also set you back close to US$1,700 as of this writing. Now, I'd like Sony to come out with a version of the original, smaller and lighter RX10 with the constant-aperture 24-200mm lens - but with the sensor, image processing, autofocus and video ability of the Mark IV. The Sony Cyber-shot RX100 VI is somewhat incredibly virtually the same size as the Mark V version, only being 1.8mm thicker and from the front looking exactly the same. The entire body design is retained almost unchanged, as is the whopping 24-600mm equivalent, f/2.4-4.0 zoom lens which lends it the look of a DSLR camera with the lens attached. In 35mm-equivalents. ) and headphones you could since the RX10 IV will more satisfy. 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